Good review here.
10/10
A soaring, aspirational ode to monarchial ethnostates!
That Black Panther will be an exciting, action-packed superhero film is obvious from the second the Marvel fanfare begins. As its narrative unfolds, it becomes just as obvious that the film - about the heroic head of state of a wealthy, technologically-advanced first-world nation with a strict immigration policy whose closest advisers are the strong, beautiful women in his family - is an adulatory homage to Donald Trump. Director Ryan Coogler's decision to use a comic book character from the fictional African nation of Wakanda as his vehicle to deliver his cinematic genuflection to the 45th President of the United States - an aspirational allegory for America - is brilliant in its subversiveness; the choice makes this political parable bulletproof from any specious criticism of racial bigotry, letting the purity and wisdom of its message shine through the screen.
That message, of course, is that a monarchial ethnostate was, remains, and will forever be the best form of national government. If the global experiment of democracy over the last two centuries has shown us anything, it's that populations ought to have a say in their own governance to the extent that children should direct their own parenting: little to none. It's a preposterous proposition. While it's fun to vote yourself piles of candy for dinner every night, the foolishness of the endeavor becomes clear when you've made yourself sick, toothless, and penniless. The royal line from which King T'Challa descends hasn't fallen into this trap, and we see the result: a happy, harmonious people who love the ruler who loves them back.
The more-controversial, but eminently defensible, moral of this superhero story is that ethnic homogeneity is simply the most ideal and natural state of nations. Scolds and scoundrels might squeal, "That's racism!" Not true, replies the student of history; after all, we are all one single human race. Our various cultures, however, are vastly different, and peace with your neighbor can only last when you both share one. That isn't to say that Coogler is claiming there exists no legitimate roles for "the other" in Wakanda. There are - the political refugee, the foreign diplomat - but so often, as personified by Ulysses Klaue (another of Andy Serkis' brilliant CGI character creations, fitting seamlessly into his real-life surroundings), the outsider simply wants to rape and pillage, and if the ruler is to remain a hero, he must prevent such an intrusion by any means possible.
So bravo, Mr. Coogler, and the entire cast and crew, for showing America - and every country on earth - an ideal to strive for. You've made a film that cuts a clear path through the miasmic, rotten jungle of open borders, multiculturalism, and assimilation, so I don't think I exaggerate when I say this: Black Panther may have just saved the world.