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Hot Fuzz was also much better than Shaun.Also, The World's End > Shaun Of The Dead.
Hot Fuzz was also much better than Shaun.Also, The World's End > Shaun Of The Dead.
Hot Fuzz was also much better than Shaun.
Some classics just suck.What?? The worlds end was watchable i suppose, hot fuzz is very good indeed but Shaun of the dead is a classic.
Some classics just suck.
Some classics just suck.
At times Shaun was pretty good, but I remember, that there were some lame meta level name dropping and such that alienated me a bit from the characters/story ("Fulci's pizzeria", that weird moment between Dylan Moran and Tamsin Greig etc.) and so did the slapstick splatter. Ending in the pub dragged horribly. I was never big fan of Spaced so Shaun didn't have any extra appeal to me when it came out but I still had to endure all the hype. CvsZ was a zero pressure experience, which is always nice.I'm curious, what didn't you like about Shaun of the Dead?
I really like all of the movies in the Cornetto trilogy. Shaun was a perfect blend of comedy and horror. It made you laugh while still instilling tension because the characters were good, and the threat of the zombies was treated with respect by at least giving them a menacing presence since the characters actually feared them. With Cockneys Vs Zombies, all the characters were way too casual in the face of their threat, which made the zombies boring. They were there to be nothing more than fodder for the humans' amped-up "bad ass" moments and corny one-liners. CvsZ felt like a movie where the writers came up with a few set-piece ideas first, such as old folks fighting off zombies and a guy with a steel-plate head, but then they had to fit a story around these ideas, which then fell flat. Shaun of the Dead had a better arc, chock-full of little details, fantastic camera work (Edgar Wright is awesome), and some heart to it.
I'm not trying to suggest that you are saying that Cockneys Vs Zombies was a better movie. I was just using it as a comparison between the two.
At times Shaun was pretty good, but I remember, that there were some lame meta level name dropping and such that alienated me a bit from the characters/story ("Fulci's pizzeria", that weird moment between Dylan Moran and Tamsin Greig etc.)
and so did the slapstick splatter. Ending in the pub dragged horribly. I was never big fan of Spaced so Shaun didn't have any extra appeal to me when it came out but I still had to endure all the hype. CvsZ was a zero pressure experience, which is always nice.
I remember vaguely, that the doppelganger group was the best joke in the movie, but it got ruined a bit by Black Books inside joke. Winking at the spectator gets on my nerves a bit. It's alienating unless the genre is pure parody.I had to look up why you thought it was weird for those two to be together in a scene, and I’ve learned they were on a show together. The other group that was similar to theirs purpose was to show that Shaun was actually making a bad decision going to the pub, and really he should have teamed up with this group because we see later that they fared better, while most people died in Shaun’s group. I saw this as a reference to how Ben and Mr. Cooper clashed heads in Night of the Living Dead, and had Ben just went with Mr. Cooper’s idea of hiding out in the basement, they would have all survived. Instead, it went the way it did. So the doppelgänger group in SOTD had a point for me, and if they wanted to throw in a little fan service for Black Books fans, then what’s the harm, eh?
Absolutely, I bet their recipes dating from late 60's to early 80's would be very tasty and of great variety, but still have a very distinguished touch of virtuosity. Within the price range of course.On a side note, would you eat at Fulci’s Pizzeria? I feel the place would be all visual, no substance.
Well, I liked Spaced too. To each their own, chum.
I'm rustled....
I remember vaguely, that the doppelganger group was the best joke in the movie, but it got ruined a bit by Black Books inside joke. Winking at the spectator gets on my nerves a bit. It's alienating unless the genre is pure parody.
Absolutely, I bet their recipes dating from late 60's to early 80's would be very tasty and of great variety, but still have a very distinguished touch of virtuosity. Within the price range of course.
Hah, Black Books was and still is my early 2000's uk comedy favourite.
Sounds like you have not eaten that often at Fulci's. I recommend you to try out something like pizza sette notte in nero, pizza quattro dell'apocalisse or pizza operazione di Luna. Could broaden your horizons.You’d probably need an entire roll of paper towels to get through a pizza because it would be ultra messy.
At least some of it is on YouTube.I’ve never even heard of this show until now, but I’m intrigued. I wonder if it’s on any of these streaming apps.
Sounds like you have not eaten that often at Fulci's. I recommend you to try out something like pizza sette notte in nero, pizza quattro dell'apocalisse or pizza operazione di Luna. Could broaden your horizons.
I'm just saying, that he's just not a messy director by nature. He's one of the very few auteurs among Italian horror directors and his characteristic traits have nothing to do with special effects. He gets unnecessarily shit from people who have just seen his 80's stuff.I thank you for the recommendations. I’ve seen five of his films, and I’ve been ready to write him off. Sixth, seventh, or eighth time could be a charm.
I'm just saying, that he's just not a messy director by nature. He's one of the very few auteurs among Italian horror directors and his characteristic traits have nothing to do with special effects. He gets unnecessarily shit from people who have just seen his 80's stuff.
I've just been countering your restaurant metaphor. You suggested that food would be somehow disgusting or messy at Fulci's while I'm saying that there's a wide variety to pick from. It's like going to Italian restaurant and ordering extra creamy pasta over and over again and complaining that the place serves only food with too many calories.I mean, I wouldn’t exactly call it unnecessary. He did make those movies. Perhaps his pre-80s stuff is better, but I think it’s fair for someone to be critical of the 80s stuff. Some of George Romero’s work holds dear to my heart, but I can also admit he’s made his fair share of shit.
But I’ll give Fulci a fair shake by watching the ones you’ve suggested.
I've just been countering your restaurant metaphor. You suggested that food would be somehow disgusting or messy at Fulci's while I'm saying that there's a wide variety to pick from. It's like going to Italian restaurant and ordering extra creamy pasta over and over again and complaining that the place serves only food with too many calories.
Ps. I love extra creamy pasta!
Well, I watched his ones that garner the most attention, which I feel is the most natural thing to do when trying to check out a director’s work.
So if we’re going to stick to the analogy, it’s like hearing about a restaurant that people seem to like and they really talk up a few items there that seem interesting, so you go and try out those items and then think, “What? People like this? This sucks.” That’s when a nice chap stops you on the way out and suggests trying a few of the less discussed items on the menu.
Then this song comes on the jukebox.
With Cockneys Vs Zombies, all the characters were way too casual in the face of their threat, which made the zombies boring. They were there to be nothing more than fodder for the humans' amped-up "bad ass" moments and corny one-liners.
At the beginning of the movie when the construction workers dig up the tomb stone it says sealed by King Charles
One of my favorites exchanges in the movie was when grandad Ray was saying, "When I was your age I signed up to fight the fucking Nazi's. What are you two fighting, traffic?"
With that said my favourite zombie film is pride and prejudice and zombies so what would i know??
I also love the cockney dialogue, it just works in cinema more than any other brittish accent, think snatch, lock stock etc.
I was hoping for a moment where they have to use the money to distract a horde of zombies by dumping it off a tall structure and letting it all float through the sky as the zombies grab and fight over it. If George A. Romero has taught me anything, zombies will react or flock to something that triggers their cognitive memory, so zombies would recognize money and feel the desire to pursue it.
I really like all of the movies in the Cornetto trilogy.
pizza sette notte in nero
I’ve seen five of his films, and I’ve been ready to write him off.
He's one of the very few auteurs among Italian horror directors and his characteristic traits have nothing to do with special effects.