- Joined
- Aug 17, 2010
- Messages
- 15,512
- Reaction score
- 12
There is strong story telling in OGF, idk why we keep going back to this. You simpletons can't seem to grasp a film maker doesn't have to follow the build-conflict-climax, transparent narratives most films go by to have a strong story. Where does the story trying to be told falter in complexity or point? Are you gonna give me some duntz answer like Caveat with the "need more Bangkok, need protagonist I can cheer for" retort? This is nonsensical. Like what you want, but your criticisms are off base. Period.
What you're asking makes no sense. Refn presents two themes (neither of which you understood before I pointed them out), and now the film is still shit unless I tell you what he offers through them? What does that even mean......
OK so based off what you are saying, like him and the film or not, Refn and OGF are most certainly 'daring' lol its funny you can't even see that though.
Christ almighty...
Ok let me put it like this...
You went with:
You've never felt like you've been dealt a hand that you want to get out of but can't find a way to? You've never loved your parents and felt they wanted something from you and you felt obliged to do it cause they are your parents, even if you know its wrong?
What is Refn's perspective of these themes beyond "it's bad/sad"? What do i gain by watching Refn tell it that everyone doesn't already know?
It's just join the pity-party, and be dazzled by colors and slow pans.
Here's the measure of its effectiveness: I've never found myself in this situation and this movie didn't affect my empathy toward it.
Here's why you're annoying me:
You're the one believing this is more intelligent. What's more intelligent about saying nothing beyond what we already know? What's intelligent about not even making the attempt to.
And no, its not 'daring' to try to write compelling dialogue. Daring by definition is taking risks. You're not taking risks by trying to write compelling dialogue lol
It is much more daring to subject yourself to criticism than to hide behind the chaos inherent in the abstract.