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Gotta give credit for its realism in using kid actors since quite few guys on board were just kids and teens in those days
unfortunately Crowe has decided to live his life as fat as he possibly can, so i imagine his future role possibilities are limited to divorced loser dads or 1912 bankers.
In my 50s n never been able to get past 30 mun mark. I remember wanting to like it due to Crowe n just seeing Gladiator a few years before. Never could watch it through
Got 2 ........ nope it doesn't help.Apparently you need to have some children to appreciate it
Got 2 ........ nope it doesn't help.
Nuanced is a bit of a stretch, it's a comradery movie on the water with some big set pieces. The film is relatively long but it's also well paced. Also the film and book is entirely fictional, you don't really need to know 'world history' to enjoy it. As evidenced by the large multitude of armchair admirals who adore this film.
It would actually be a great film to make a sequel to. It took years between voyages, so It could be interesting to see him 20 years later as captain.
Never watched that shit and never will. Russel Crowe as British captain, LOL.
Never heard of it until now. Won't ever watch it either.Yeah Yeah, I'm here to pop the bubble on another film that Gen X considers an unsung masterpiece. Master and Commander.
Much like my thread on Casino (1995), this film is something that you only see called touchstone of cinema in retrospect. No one, absolutely no one was praising this film that much when it came out. Is it because the movie is bad? No. The movie is fine, I'd even go to say it's pretty good. It was a very watchable home cinema type film, decent performances and some cool set pieces. But is it a masterpiece? No, and nobody thought that at the time. The film just hit cultural lottery of both being set on ship and connecting with post-covid men who start to romanticize the open sea when they don't want to think about politics, and featuring a 'straight men love story' (see Shawshank).
Also it helped that Russel Crowe made an absolute ass of himself arguing with someone who didn't like the film on twitter.
Which inevitably triggered lionized the armchair internet film community to have a discussion about how modern audiences just don't 'get it'. Because as we all know the movies we grew up with are the true touchstones of cinema, and anyone who doesn't get that doesn't get films!
But go ahead, tell me why this decent book adaptation belongs in conversation with the godfather.
That's a lie. It was praised by critics and the public.no one was praising this film that much when it came out
I think i am due for a rewatch. I rate it spontaneously as a good Movie but not life changing.Yeah Yeah, I'm here to pop the bubble on another film that Gen X considers an unsung masterpiece. Master and Commander.
Much like my thread on Casino (1995), this film is something that you only see called touchstone of cinema in retrospect. No one, absolutely no one was praising this film that much when it came out. Is it because the movie is bad? No. The movie is fine, I'd even go to say it's pretty good. It was a very watchable home cinema type film, decent performances and some cool set pieces. But is it a masterpiece? No, and nobody thought that at the time. The film just hit cultural lottery of both being set on ship and connecting with post-covid men who start to romanticize the open sea when they don't want to think about politics, and featuring a 'straight men love story' (see Shawshank).
Also it helped that Russel Crowe made an absolute ass of himself arguing with someone who didn't like the film on twitter.
Which inevitably triggered lionized the armchair internet film community to have a discussion about how modern audiences just don't 'get it'. Because as we all know the movies we grew up with are the true touchstones of cinema, and anyone who doesn't get that doesn't get films!
But go ahead, tell me why this decent book adaptation belongs in conversation with the godfather.
A big issue I think is that swashbuckers tend to be either pirate films which were veiwed as pretty cliched for decades pre Depp or they tend to focus on the British Empire which Americans have never been that keen on and especially not in recent decades were the arrogant british imperialist has become a stock badguy. That we havent had a Nelson film made since the Brit film industry went into decline in the 50's I think stands as pretty glaringly when you consider how obviously cinematic his life was.Not including Pirates of the Carribean, Master and Commander is perhaps the last great naval/swashbuckler movie of note (a most popular genre way back when).
Although it has flaws (perhaps a touch too realistic and somewhat unimaginative), when comparing M&C with another somewhat contemporary film like Cuttthroat Island, one can readily see the skill that went into the production of the former.
Regarding the latter, according to wikipedia, "Oliver Reed was originally cast for a cameo as Mordechai Fingers, but was fired after getting in a bar fight and attempting to expose himself to Davis while intoxicated."
Master and Commander, in respect to the genre and its era (1990's - 2000's), is in my view, as good as it gets. The casting was adequate, the cinematography was quite good, and the story was engaging.