It seems like those popular songs are created by the entertainment industry to give white people a manufactured black experience.
From the article I posted earlier in the thread:
source:
https://newrepublic.com/article/120894/david-samuels-rap-rap-1991
Gates goes on to make the more worrying point: "What is potentially very dangerous about this is the feeling that by buying records they have made some kind of valid social commitment." Where the assimilation of black street culture by whites once required a degree of human contact between the races,
the street is now available at the flick of a cable channel—to black and white middle class alike. "People want to consume and they want to consume easy," Hank Shocklee says. "If you're a suburban white kid and you want to find out what life is like for a black city teenager, you buy a record by N.W.A. It's like going to an amusement park and getting on a roller coaster ride—records are safe, they're controlled fear, and you always have the choice of turning it off. That's why nobody ever takes a train up to 125th Street and gets out and starts walking around. Because then you're not in control anymore: it's a whole other ball game."
This kind of consumption — of racist stereotypes, of brutality toward women, or even of uplifting tributes to Dr. Martin Luther King—is of a particularly corrupting kind. The values it instills find their ultimate expression in
the ease with which we watch young black men killing each other: in movies, on records, and on the streets of cities and towns across the country.